Ananya Panday, who is busy promoting her upcoming OTT film ‘Devara Part 1’, recently defended Janhvi Kapoor in response to the criticism she is receiving for her role in Devara Part 1. Ananya Panday said that doing commercial films with lots of singing and dancing is not as simple as people think it is, it requires the same effort and commitment.
During an interview, Ananya Panday shared, “People believe that doing commercial cinema is very easy, but there is also an art to act in a certain way. She was amazing as Janhvi in her recent song. Her expressions were great, her energy excellent. It’s just as hard in a way.”
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While Janhvi has acted in more films with strong female leads and meatier roles, Ananya Panday has appeared in a number of commercial films. But Ananya also changed the track with her next venture, CTRL and serials like ‘Call Me Bae’. The actress has not completely given up the idea of working in commercial films.
Ananya further added that as an actor, one must have the ability to engage in different roles. He is currently heavily exploring urban and social media genres. Now he is trying to step out of this realm and re-emerge. The actress thinks about what new experiences await her, for example, participation in an action film or a full-fledged horror film.
After these adventures, she may feel inclined to return to singing and dancing, as she has been involved in many intense projects. This reflects a particular mindset at the time along with a desire to grow and develop as an actor.
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Ananya Pandey’s performances in ‘Kho Gaye Hum Kahan’ and ‘Call Me Bae’ won her a lot of praise. It will next appear in “CTRL”. All three films have one thing in common: they show how relationships work in the age of social media. Ananya explained her decision to start these projects.
The actress said that she finds the topic very relatable and acknowledges that the people around her find it very relatable. Historically, she has watched Western or Hollywood films to discuss similar issues.
However, he expresses satisfaction that contemporary screenplays dealing with these relevant topics are now being produced, as they reflect current societal challenges.
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“Years later, people would look at them and say, ‘Okay, that’s our generation,’ because God knows what’s going to happen next.” When I read or listen to a script, I feel more like an audience than a part of it: ‘This is happening around me.’ Maybe that’s why I gravitate towards it,” concluded Ananya Panday.
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